"Altared is a must-read for young Christians hungering for a realistic, biblically rich take on love and marriage in the twenty-first century."
--Katelyn Beaty, editor, Christianity Today magazine, Her.meneutics
Mar-riage-hap-py \mar´-ij-hap´e¯\ adj 1: Having an inordinate preoccupation with marital pursuits, sometimes at the cost of other Christian priorities, commonly seen in evangelicals. 2: A giddiness stemming from all things related to marriage.
In the frenzied pursuit of romance, Christians sometimes lose sight of the greatest commandments: to love God and to love others. Distracted by wedding bells and exuberant hopes for a happily-ever-after, Christians often forget the greater vision of Christ's call to love. What if God is less worked up about marriage than we are? With honesty and insight, Claire and Eli ask us to shift our thinking away from marriage or singleness and toward love and discipleship. Drawing from luminaries like Augustine, the Desert Fathers, and Bonhoeffer, they invite you to join their real-life exploration of love as they convincingly demonstrate why a love for God and for one's neighbor are to be our top priorities, whether we are single or married.
--Katelyn Beaty, editor, Christianity Today magazine, Her.meneutics
Mar-riage-hap-py \mar´-ij-hap´e¯\ adj 1: Having an inordinate preoccupation with marital pursuits, sometimes at the cost of other Christian priorities, commonly seen in evangelicals. 2: A giddiness stemming from all things related to marriage.
In the frenzied pursuit of romance, Christians sometimes lose sight of the greatest commandments: to love God and to love others. Distracted by wedding bells and exuberant hopes for a happily-ever-after, Christians often forget the greater vision of Christ's call to love. What if God is less worked up about marriage than we are? With honesty and insight, Claire and Eli ask us to shift our thinking away from marriage or singleness and toward love and discipleship. Drawing from luminaries like Augustine, the Desert Fathers, and Bonhoeffer, they invite you to join their real-life exploration of love as they convincingly demonstrate why a love for God and for one's neighbor are to be our top priorities, whether we are single or married.
Religious life in early America is often equated with the fire-and-brimstone Puritanism best embodied by the theology of Cotton Mather. Yet, by the nineteenth century, American theology had shifted dramatically away from the severe European traditions directly descended from the Protestant Reformation, of which Puritanism was in the United States the most influential. In its place arose a singularly American set of beliefs. In America's God, Mark Noll has written a biography of this new American ethos. In the 125 years preceding the outbreak of the Civil War, theology played an extraordinarily important role in American public and private life. Its evolution had a profound impact on America's self-definition. The changes taking place in American theology during this period were marked by heightened spiritual inwardness, a new confidence in individual reason, and an attentiveness to the economic and market realities of Western life. Vividly set in the social and political events of the age, America's God is replete with the figures who made up the early American intellectual landscape, from theologians such as Jonathan Edwards, Nathaniel W. Taylor, William Ellery Channing, and Charles Hodge and religiously inspired writers such as Harriet Beecher Stowe and Catherine Stowe to dominant political leaders of the day like Washington, Jefferson, and Lincoln. The contributions of these thinkers combined with the religious revival of the 1740s, colonial warfare with France, the consuming struggle for independence, and the rise of evangelical Protestantism to form a common intellectual coinage based on a rising republicanism and commonsense principles. As this Christian republicanism affirmed itself, it imbued in dedicated Christians a conviction that the Bible supported their beliefs over those of all others. Tragically, this sense of religious purpose set the stage for the Civil War, as the conviction of Christians both North and South that God was on their side served to deepen a schism that would soon rend the young nation asunder. Mark Noll has given us the definitive history of Christian theology in America from the time of Jonathan Edwards to the presidency of Abraham Lincoln. It is a story of a flexible and creative theological energy that over time forged a guiding national ideology the legacies of which remain with us to this day.
Religion, race, and American history.
America's Religious History is an up-to-date, narrative-based introduction to the unique role of faith in American history. Moving beyond present-day polemics to understand the challenges and nuances of our religious past, leading historian Thomas S. Kidd interweaves religious history and key events from the larger story of American history, including:
Useful for both classroom and personal study, America's Religious History provides a balanced, authoritative assessment of how faith has shaped American life and politics.
Writing with all the brilliance, authority, and pungent wit that have distinguished his art criticism for Time magazine and his greatly acclaimed study of modern art, The Shock of the New, Robert Hughes now addresses his largest subject: the history of art in America. The intense relationship between the American people and their surroundings has been the source of a rich artistic tradition. American Visions is a consistently revealing demonstration of the many ways in which artists have expressed this pervasive connection. In nine eloquent chapters, which span the whole range of events, movements, and personalities of more than three centuries, Robert Hughes shows us the myriad associations between the unique society that is America and the art it has produced: "O My America, My New Founde Land" explores the churches, religious art, and artifacts of the Spanish invaders of the Southwest and the Puritans of New England; the austere esthetic of the Amish, the Quakers, and the Shakers; and the Anglophile culture of Virginia. "The Republic of Virtue" sets forth the ideals of neo-classicism as interpreted in the paintings of Benjamin West, John Singleton Copley, and the Peale family, and in the public architecture of Thomas Jefferson, Benjamin Latrobe, and Charles Bulfinch. "The Wilderness and the West" discusses the work of landscape painters such as Thomas Cole, Frederick Church, and the Luminists, who viewed the natural world as "the fingerprint of God's creation," and of those who recorded America's westward expansion--George Caleb Bingham, Albert Bierstadt, and Frederic Remington--and the accompanying shift in the perception of the Indian, from noble savage to outright demon. "American Renaissance" describes the opulent era that followed the Civil War, a cultural flowering expressed in the sculpture of Augustus Saint-Gaudens; the paintings of John Singer Sargent, Mary Cassatt, and Childe Hassam; the Newport cottages of the super-rich; and the beaux-arts buildings of Stanford White and his partners. "The Gritty Cities" looks at the post-Civil War years from another perspective: cast-iron cityscapes, the architecture of Louis Henri Sullivan, and the new realism of Thomas Eakins, Winslow Homer, the trompe-l'oeil painters, and the Ashcan School. "Early Modernism" introduces the first American avant garde: the painters Arthur Dove, Marsden Hartley, Joseph Stella, Charles Demuth, Charles Sheeler, and Georgia O'Keeffe, and the premier architect of his time, Frank Lloyd Wright. "Streamlines and Breadlines" surveys the boom years, when skyscrapers and Art Deco were all the rage . . . and the bust years that followed, when painters such as Edward Hopper, Stuart Davis, Thomas Hart Benton, Diego Rivera, and Jacob Lawrence showed Americans "the way we live now." "The Empire of Signs" examines the American hegemony after World War II, when the Abstract Expressionists (Jackson Pollock, Willem de Kooning, Mark Rothko, et al.) ruled the artistic roost, until they were dethroned by Jasper Johns, Robert Rauschenberg, the Pop artists, and Andy Warhol, while individualists such as David Smith and Joseph Cornell marched to their own music. "The Age of Anxiety" considers recent events: the return of figurative art and the appearance of minimal and conceptual art; the speculative mania of the 1980s, which led to scandalous auction practices and inflated reputations; and the trends and issues of art in the 90s. Lavishly illustrated and packed with biographies, anecdotes, astute and stimulating critical commentary, and sharp social history, American Visions was originally published in association with a new eight-part PBS television series. Robert Hughes has called it "a love letter to America." This superb volume, which encompasses and enlarges upon the series, is an incomparably entertaining and insightful contemplation of its splendid subject.
Selected as A Notable Book of the Year by The New York Times Book Review Fifty years after Michael Harrington published his groundbreaking book The Other America, in which he chronicled the lives of people excluded from the Age of Affluence, poverty in America is back with a vengeance. It is made up of both the long-term chronically poor and new working poor -- the tens of millions of victims of a broken economy and an ever more dysfunctional political system. In many ways, for the majority of Americans, financial insecurity has become the new norm. The American Way of Poverty shines a light on this travesty. Sasha Abramsky brings the effects of economic inequality out of the shadows and, ultimately, suggests ways for moving toward a fairer and more equitable social contract. Exploring everything from housing policy to wage protections and affordable higher education, Abramsky lays out a panoramic blueprint for a reinvigorated political process that, in turn, will pave the way for a renewed War on Poverty. It is, Harrington believed, a moral outrage that in a country as wealthy as America, so many people could be so poor. Written in the wake of the 2008 financial collapse, in an era of grotesque economic extremes, The American Way of Poverty brings that same powerful indignation to the topic.
An acclaimed scholar presents a bold new interpretation of the relationship between Greco-Roman religion and Christianity.
The question of Christianity's relation to the other religions of the world is more pertinent and difficult today than ever before. While Christianity's historical failure to appreciate or actively engage Judaism is notorious, Christianity's even more shoddy record with respect to "pagan" religions is less understood. Christians have inherited a virtually unanimous theological tradition that thinks of paganism in terms of demonic possession, and of Christian missions as a rescue operation that saves pagans from inherently evil practices.In undertaking this fresh inquiry into early Christianity and Greco-Roman paganism, Luke Timothy Johnson begins with a broad definition of religion as a way of life organized around convictions and experiences concerning ultimate power. In the tradition of William James's Variety of Religious Experience, he identifies four distinct ways of being religious: religion as participation in benefits, as moral transformation, as transcending the world, and as stabilizing the world. Using these criteria as the basis for his exploration of Christianity and paganism, Johnson finds multiple points of similarity in religious sensibility.
Christianity's failure to adequately come to grips with its first pagan neighbors, Johnson asserts, inhibits any effort to engage positively with adherents of various world religions. This thoughtful and passionate study should help break down the walls between Christianity and other religious traditions.
The first comprehensive, fully-illustrated approach to the voice that explains the anatomy and mechanics in detailed yet down-to-earth terms, for voice users and professionals of all kinds This book is the first to explain, in clear and concise language, the anatomy and mechanics of the mysterious and complex bodily system we call the voice. Beautifully illustrated with more than 100 detailed images, Anatomy of the Voice guides voice teachers and students, vocal coaches, professional singers and actors, and anyone interested in the voice through the complex landscape of breathing, larynx, throat, face, and jaw. Theodore Dimon, an internationally recognized authority on the subject, as well as an expert in the Alexander Technique, makes unfamiliar terrain accessible and digestible by describing each vocal system in short, manageable sections and explaining complex terminology. The topics he covers include ribs, diaphragm, and muscles of breathing; the intrinsic musculature of the larynx, its structure and action; the suspensory muscles of the throat; the face and jaw; the tongue and palate; and the evolution and function of the larynx.
"I love it when another good foundational book comes out to stir our thinking about faithful and effective educational ministry in the church. Anointed Teaching: Partnership with the Holy Spirit, is a welcome new text about what it means to teach and preach the Bible with the Holy Spirit in ways that God can use to form His people in their inner spiritual lives and their outer expressions of faithful living. Pazmiño and Esqueda have offered us thoughtful reflection on what teaching with the Spirit should be like in light of themes they see flowing from our baptism as followers of Christ ("liberation"), our participation in receiving the Lord's Supper ("celebration"), and the giving of the Spirit at Pentecost ("sustenance"). Like Pazmiño's earlier works that explored the teaching ministry of the church in light of the Father's teaching work in and for us (God Our Teacher: Theological Basics in Christian Education) and Jesus' teaching ministry example (So What Makes Our Teaching Christian? Teaching in the Name, Spirit and Power of Jesus), this book on the ongoing teaching ministry of the Holy Spirit invites us to consider carefully what it means to partner with God in teaching that becomes transformative inside and out. I love being challenged by good friends and this text gives me much to consider as I strive to be faithful in my teaching ministries."Dr. Kevin E. Lawson, Professor of Educational Studies at Talbot School of Theology, Biola University, and Editor of the Christian Education Journal
One of the most widely praised studies of Jewish apocalyptic literature ever written, The Apocalyptic Imagination by John J. Collins has served for over thirty years as a helpful, relevant, comprehensive survey of the apocalyptic literary genre. After an initial overview of things apocalyptic, Collins proceeds to deal with individual apocalyptic texts -- the early Enoch literature, the book of Daniel, the Dead Sea Scrolls, and others -- concluding with an examination of apocalypticism in early Christianity. Collins has updated this third edition throughout to account for the recent profusion of studies germane to ancient Jewish apocalypticism, and he has also substantially revised and updated the bibliography.
An extensively revised and updated edition of this popular and accessible text. Approaches and Methods in Language Teaching Third edition is an extensive revision of this highly successful book. As in previous editions, both major and alternative approaches and methods are surveyed, with the section on current communicative approaches updated to include new material on CLIL, text and genre-based teaching. The book seeks not only to clarify the assumptions behind these approaches, and their similarities and differences, but also to help teachers explore their own beliefs and practices in language teaching. Further new material deals with other directions in language teaching, such as outcomes-based initiatives, to make this edition fully up-to-date.